The artwork here superimposes the surreal or Dada onto the lithograph. Does this juxtaposition of earlier artistic ideas with modernist ones perhaps work into the idea of challenging assumptions which moves throughout Fence?
I would follow this past/present/challenging assumptions question with one about the abrasiveness of content and attack on decorum. Moreover, how such an abrasive quality works to reinterpret language and its connection with meaning, or present lack thereof.
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